Hello there:)
I am 16 and I like lots of stuff. Originally it was mainly Harry Potter and Doctor Who, but you could say I've been corrupted and dragged into insanity. I also love animals and physics and hugs.
Reblogged from iwantahoranhug  245,283 notes

gay8:

gay8:

gay8:

my parents split after they made me. i am a volcano. they are tectonic plates. follow for more geological humour.

i really hope the two people who just followed me aren’t looking for geological humour or you are going to be earth-shatteringly disappointed

this post is one of my best by a landslide

Reblogged from theriverisapond  54,194 notes

atalkingfishbone:

itistimetodisappear:

residentasian:

tigerhazard:

missmurrka:

dragoncalibrator:

keetongu:

frillious:

hicupp:

peachdoxie:

Every time someone says “dragon” in How to Train Your Dragon

i cANT BREATHE IM LAUGHING SO HARD

if you listen closely to my deep, inner mind this is what you’ll hear

iT SOUNDS LIKE A REALLY INTENSE DEBATE ABOUT DRAGONS HELP

I feel like this completes my blog

muh draggins

this audio file accurately describes the inside of my head at all times

WHAT ARE THEY DRAGGING????

BRINGING THIS BACK

this is the best post in the entire universe omfg

  • Plays: 232731

Too many young girls don’t know how to act when someone’s being inappropriate with them. They giggle or they try to brush it off. Don’t do that. Tell them to go fuck themselves - be a bitch. If someone’s being disrespectful to you, be disrespectful right back. Show them the same amount of respect that they show you. By Wise words from my mom (via atmosthentic)

Reblogged from viria  14,345 notes
grizandnorm:

Tuesday Tips - Gesture DrawingAs a story artist, I feel like one of the most important technical skill to develop is the ability to draw things things clearly and fast. Practicing gesture drawing is, in my opinion, a good way to get better at it. I think it’s fun, too! Of course, you can draw from life and find unique things people and animals do, but I also think practicing gesture drawing from imagination is truly helpful. For instance, I usually do some gesture drawings of characters I’m about to work with in a sequence. It helps me find a short-hand to start building from. The simpler, the better. Especially early on a project, it really helps to find a quick way to draw a character over and over without repeating yourself all the time.I remember Life Drawing teachers telling me to “draw from within” and to “feel the weight”. It’s absolutely true, but in terms of storyboarding, other elements came to be as important to the process. Silhouette and a sense of “cartooning” is tremendously helpful to communicate certain things clearly to an audience.I’m only focusing on character posing right now (and this is just an introduction to the subject). Gesture drawing is very close to thumb-nailing, another ultra-helpful skill. More on that later.For those who want to spend some money on great books on the subject, I highly recommend you to pick up “Drawn To Life: 20 Golden Years of Master Classes of Disney Master Classes” (Vol. 1 and 2) , from Walt Stanchfield. Do it.Norm

grizandnorm:

Tuesday Tips - Gesture Drawing

As a story artist, I feel like one of the most important technical skill to develop is the ability to draw things things clearly and fast. Practicing 
gesture drawing is, in my opinion, a good way to get better at it. I think it’s fun, too! Of course, you can draw from life and find unique things people and animals do, but I also think practicing gesture drawing from imagination is truly helpful. For instance, I usually do some gesture drawings of characters I’m about to work with in a sequence. It helps me find a short-hand to start building from. The simpler, the better. Especially early on a project, it really helps to find a quick way to draw a character over and over without repeating yourself all the time.

I remember Life Drawing teachers telling me to “draw from within” and to “feel the weight”. It’s absolutely true, but in terms of storyboarding, other elements came to be as important to the process. Silhouette and a sense of “cartooning” is tremendously helpful to communicate certain things clearly to an audience.

I’m only focusing on character posing right now (and this is just an introduction to the subject). Gesture drawing is very close to thumb-nailing, another ultra-helpful skill. More on that later.

For those who want to spend some money on great books on the subject, I highly recommend you to pick up “Drawn To Life: 20 Golden Years of Master Classes of Disney Master Classes” (Vol. 1 and 2) , from Walt Stanchfield. Do it.

Norm